First, a plate was rendered light-sensitive by coating it with warm potassium or ammonium bichromated gelatin and heating it at a steady temperature in an oven until dry. After the First World War, Valentine produced a wide variety of view cards in addition to their Artotypes with many brand names. In later years white border cards and a fine textured linen type card were made that continued to carry the Americhrome name but not the old printed characteristics. Cards with the Poly-chrome name were also printed in the United States during the First World War, with an M prefix and white borders, but these lithographic cards have a grained texture. This company was based at 1161 Broadway, New York, N.
Their cards are numbered on the front in hand, which sometimes makes the figures illegible. They were mostly numbers in series of four to five digits. An medium gray tint is added that creates a grain so fine it almost resembles continuous tone. Often found on early comic cards. These cards are characterized by a medium screen pattern, limited pallet, turquoise skies, and small red block lettering. The name of the publisher is on the back of the postcard usually vertically written on the left side.
New Year's Day postcards serve as , similar to Western , while return postcards function similarly to a , allowing one to receive a reply without burdening the addressee with postage fees. The trade name Naturekrom was sometimes used on their cards. Return postcards are most frequently encountered by non-Japanese in the context of making reservations at certain locations that only accept reservations by return postcard, notably at moss temple. The grain of the continuous tone on these cards is so fine but distinct it almost resembles a halftone screen on close inspection. Real photo postcard with image of unusual topics, old main street views, circus images, or occupations, for example, are highly sought after as important documents of history and art. They also produced many artist drawn postcards for other advertisers. As interest in postcards grew Knox not only became a major distributor of cards through his stores but a publisher as well.
Adolph Tuck, one of the sons, produced their first picture postcard in 1894 of Mt. The colors on these cards tended to be applied in broad areas, characterized by a sharp look and a dull finish. These cards were printed in color halftone lithography in a Continental size. A bright cool pallet was usually used. Curt Teich In business from 1893 to 1978. Metropolitan Postcard Club of New York City.
Most of the postcards were printed in Germany before the First World War and thereafter in America and France. In 1910, he made the 2,630 mile journey in reverse, from Washington State to Indiana. Their first series has a letter A prefix followed by When these numbers ran out they began their B series with sequential numbers running 1- 12200. They will want to keep it to reread over and over through the years. This was a training camp for soldiers who were participating in the Franco-Prussian War.
Some situations call for a more personal means of communication. They first started printing books and pioneer postcards under the Albertype name in 1890. Other European publishers also used the same process but without the Poly-Chrome name. Robert, Edward And John Kennedy Pictured Head To Knees - All In Suits - Edward In Middle Vert, - Mint - Modern Chrome 4x6 - American Postcard 901 - Price 85 cents 0474. They produced many cards for the Northern Pacific Railroad.
Postmarked 1907, Cleveland, Ohio, and Fort Madison, Iowa. Sources: and Souvenir Post Card Company A major publisher of a variety of postcard types based at 268 Canal Street, New York between 1905 and 1914. Many of these cards were reissued. Another address given for them is 520 West 84th Street, New York and they operated from 1905 to 1914. They also published many holiday postcards. Amonn 1802- Bolzano, Trento Italy This business opened as a simple grocery in 1802, and by 1896 they had expanded into stationery.
The written messages wrote to one another in the nineteenth and twentieth centuries is both interesting and intriguing, however, most people would not think publishing companies fit this criteria. The images on these cards are generally based on colored , and are readily identified by the glossy appearance given by the paper's coating. The views depicted are of the World War I era but are domestic locales prior to our involvement in World War I. They were not always published by the American News Company. In response to this new phenomenon, the banned the sale or importation of some materials relating to the in 1900. Sextochrome - A French made card printed as a tinted collotype over five colors.